Pond Moments

So much for deep introspective thought. It's sure been a while since I've had time to sit down for any of it. The worst thing about busyness is you get this vague feeling like maybe deep thought is simply too much effort. Since I've left any footprints here (splayed or otherwise--don't get the reference? Try Billy Collins) I have been across the country and back, bought myself a new computer (the flowerbed beneath my window was in danger from the old one. Because I was going to lose my temper and heave it out, you know), learned about the beauties of opioids (not what you think, either to your relief or dismay-I'm talking about vet school stuff, again), rode on a ferry, spent over $400 in order to sign up for a 6 hour exam, and performed an autopsy on a cat (another vet school activity, which, to admit my utter geekdom/how-I-am-not-like-most-people, I kind of enjoyed). But there hasn't been much time for inner contemplation. .

I did go for a long walk with the boy and the dog tonight. The smell of the woods marches me straight into my childhood memories. I used to think everyone remembered their childhoods the way I do, but I no longer believe this. For me, I have vivid glimpses of many scenes from many different years, all coming fast and clear, and full of echoed emotion. The lake at camp, summer camping in Wilmington, hiking Stone Mountain and Blowing Rock, late nights lying on the warm asphalt feeling like any minute now, the earth would let go and I would float away. Such vertigo, imagining another living creature orbiting another star and staring back at you wondering the same thing--who and where and how?

We met a pond that was a Mary Oliver poem.

The Ponds

Every year
the lilies
are so perfect
I can hardly believe

their lapped light crowding
the black,
mid-summer ponds.
Nobody could count all of them--

the muskrats swimming
among the pads and the grasses
can reach out
their muscular arms and touch

only so many, they are that
rife and wild.
But what in this world
is perfect?

I bend closer and see
how this one is clearly lopsided--
and that one wears an orange blight--
and this one is a glossy cheek

half nibbled away--
and that one is a slumped purse
full of its own
unstoppable decay.

Still, what I want in my life
is to be willing
to be dazzled--
to cast aside the weight of facts

and maybe even
to float a little
above this difficult world.
I want to believe I am looking

into the white fire of a great mystery.
I want to believe that the imperfections are nothing--
that the light is everything--that it is more than the sum
of each flawed blossom rising and fading. And I do.

I love Mary Oliver's poems. The last lines of the poem on the next page have always haunted me, calling at wild pond moments, or on pensive evenings. "Doesn't everything die at last, and too soon?" she asks. The last lines that surface often in my brain are: "Tell me, what is it you plan to do with your one wild and precious life?"

The truth is, I don't know. But the question always hits me in the solar plexus, a wild cry of grief mixed with a sort of impatience, like a child stamping her foot. Get on with it, don't you remember what's important here, she asks me. And I have to say, shamefacedly, that no, I often forget.

I am very grateful for pond moments tonight.